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*    diviner is to explain to his client

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*    the meaning of the sentences

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*    appropriate to the arrangements

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*    of seeds. As these represent

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*    certain typical situations in life,

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*    their corresponding names in

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*    the code are often used as

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*    idiomatic ( “deep”) expressions

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*    for these typical situations, v.

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*    eh-ɔɣae [ ˩ ˥ ˥ ] and ɔkãn-abe [ ˩ ˩ \ ˩ ].

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*    The actual throwing of ogwɛga

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*    [ ˩ \ ˩ ] is done in the following

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*    way: “alligator-pepper” (ɛhĩ-

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*    ɛ̃do [ ˩ ˥ ˥ ˦ ]) is chewed and spat on

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*    the instrument, then the client

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*    holds uk-iha [ ˥ \ ˩ ], “the mes-

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*    senger of the oracle”, also called

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*    uta [ ˥ ˩ ], in front of his mouth and

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*    asks the master of the oracle (ɔka

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*    [ ˩ ˥ ]) his question. The ɔbo then

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*    touches all the sixteen seed-

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*    halves, saying: w-ɔɽ̃-ɛ̃ʋ̃ɛ n-ɔxaɽe

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*    ( [ ˩ ]) [ / / ˩ ˥ / ˩ ] “do you

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*    know the word he has said?”,

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*    puts uk-iha [ ˥ \ ˩ ] between the

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*    strings and throws them so that

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*    the ɛɽoɽo [ ˥ ˥ ˥ ] and the cowries

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*    fall at his side.

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*ogwi [ ˥ ˥ ] mango tree and fruit,

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*    Irvingia gabonensis; another sort

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*    is ogwi ebo [ ˥ ˥ ˥ ˦ ].

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*ogwo [ ˥ ˩ ] riot, fighting between

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*    people of the same town, or the

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*    same family; also igbĩn-ogwo

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*    [ ˩ ˥ ˥ ˩ ].

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*ogba 1 [ ˥ ˩ ] (1) fence. (2) fenced

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*    space, e.g. garden, yard; ogb-

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*    oɽe [ ˥ ˥ ˥ ] “fence of outside”:

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*    (a) front part of odĩ [ ˥ ˥ ], the

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*    compound wall; (b) front part of

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*    the compound yard; ogb-oleɣã

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*    [ ˥ ˥ ˥ ˩ ] prison-yard, prison; cf.

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*    Yor. ɔgba [ ˧ ˩ ].

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*ogba 2 [ ˥ ˩ ] digging-stick for

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*    digging yams; pointed at one

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*    end, made of the heavy uxu

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